Angus Green - Angus Green - Quiet Weekend

from by Various Artists [See below]

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  • Record/Vinyl + Digital Album

    Quite simply, we think vinyl sounds better! Plus, the physical copy of Chemical Coercion features specially selected, road tested bonus scratches from each of the 8 tracks by 3 X DMC Champion Mr Switch, THEY ARE NOT AVAILABLE AS PART OF THE DIGITAL RELEASE! Presented in 180g black vinyl for maximum bass boost and high gloss finished full colour artwork.

    TEST-001 Chemical Coercion

    A1 // Spenghead - Gargantuan Cuttlefish Liasons //
    A2 // Shamanic Technology - Kaiju //
    A3 // Tom Excell - Silly Anderson //
    A4 // William Breakspear & Whitenoiseboy - Solar Storms //
    A5 // Chemical Cuts A //

    B1 // Basik - End Of Days //
    B2 // Terrorbyte - Shaolin Drunken Bass //
    B3 // Angus Green - Quiet Weekend //
    B4 // Automaton - The Skate Song //
    B5 // Chemical Cuts B //

    * * * * *
    "Wow, It meant I could mix actual samples from every track over my mixes from spinning plastic!" A Disk Jockey

    * * * * *
    "This scratching thing could really take off" Dj Crab

    *
    "I had to literally beat match the tracks continuously, not cool" Deejay DAW

    Glitch is the knowledge, Hop is the movement. Support real independent record labels!

    Includes unlimited streaming of Chemical Coercion via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    edition of 300 

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      £1 GBP

     

about

Despite growing up on a strict diet of punk, funk, rock'n'roll and hip hop, a chance encounter with Garageband at the tender age of nine years set Angus Green on a path that would change his life.

After a short stint fumbling with a number of instruments including guitar, violin, bass and vocals he decided to buy a pair of CDJ's and start mixing. However the limitations to deejaying soon made Angus look for a more constructive form to vent his ideas.

In 2008 he began classical piano lessons in order to understand the basics of musical concepts, and in 2010 he purchased a copy of Ableton and devoted all of his time to learning the program. Finally after gaining a decent amount of knowledge and with a few tricks up his sleeve, Angus moved to Melbourne. It was there he was introduced to the exciting new world of Bass and Glitch Hop. After only six months of production in this style Angus was picked up by local independent label Adapted Records, who requested a track for a free compilation album.

From there everything blew up, and in April 2012 he released his first E.P. 'Storm Warning', which reached the top end of both the Beatport and Addictech charts. Angus now releases with a number of independent labels, including Adapted Records [Aus] , Empathy Recordings [NZ], Glitch and Chop (Bassweight Recordings) [NZ] and The Pooty Club Records [Spain]. He has played gigs alongside artists such as Blatwax, Mr Bill, Spoonbill, Freddy Todd, Mouldy Soul, Mr. Rogers and DJ Wasabi. In late 2012 Angus was nominated for best up and coming Glitch Hop artist by UK Glitch Hop.

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credits

from Chemical Coercion, released February 1, 2014

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Beta Test Records Birmingham, UK

A beta test involves taking something from the studio to a limited audience for testing. As such, Beta tests the crossover between experimental architecture and dance floor delivery, endeavouring to lay down enough glitches to scratch your bass beard whilst breaking funkier than James Brown’s good foot. ... more

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